22 Cent Stamp Museum of American Indian Navajo Art Usa
#2235-38 – 1986 22c Navajo Blankets
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U.S. #2235-38
22¢ Navajo Blankets
American Folk Fine art Series
Event Date: September 4, 1986
City: Window Rock, AZ
Quantity: 60,131,250
Printed By: Bureau of Engraving and Printing
Printing Method: Lithographed and engraved
Perforations: 11
Color: Multicolored
This cake of iv stamps is one in the serial of Folk Art commemoratives. The illustrations are based on actual Navajo blankets – three of which are housed in the Museum of the American Indian in New York City.
The stamps were issued to coincide with the almanac Navajo Nation Fair held at Window Rock, Arizona. Blanket weaving has been an of import part of Navajo civilisation for centuries. To early tribes, each blanket was believed to possess spiritual characteristics and reflect the owner'south identity.
American Folk Art Series
On April thirteen, 1977, the USPS issued the showtime stamp in the American Folk Art Serial.
The USPS created the Folk Art Serial in 1977 to honor important and lesser-known items in American art and civilization. Folk Art is loosely divers as the art of the everyday, rooted in traditions that come from community and civilisation and expressing cultural identity past conveying shared community values and aesthetics.
The first set up in the series was issued on Apr 13, 1977, in Santa Iron, New United mexican states. The stamps featured the pottery of Pueblo Indians from Arizona and New Mexico. An important aspect of Pueblo culture is pottery making. The pottery of each village has its own special designs. Pueblos continue to make their pottery the traditional mode, fashioning it out of ropes of clay, which they smooth before firing.
The second fix in the series was issued on March 8, 1978, in Charleston, West Virginia at a quilt evidence. Each of the stamps in this block of four, pictures a basket blueprint from a quilt made in New York Metropolis in 1875. Although the industrial revolution fabricated it possible to mass produce cheap blankets, the quilt was considered to be attractive, practical, and very economic.
The 3rd issue in the series featured Pennsylvania Toleware (French for painted tin can). The stamps were issued on April 19, 1979, in Lancaster, Pennsylvania at that metropolis'due south Pennsylvania Farm Museum. Pictured on the stamps are a coffee pot with a straight spout, a tea caddy, a saccharide bowl, and a coffee pot with a gooseneck spout, all of which were made in the early 1900s.
The fourth set in the series was issued on September 25, 1980, in Spokane, Washington. Honoring Pacific Northwest Indian Masks, each stamp pictures a different carved mask: Heiltsuk Bella Bella mask, Chilkat Tlingit mask, Tlingit mask and Bella Coola mask.
The fifth set up in the serial honored duck decoys. The stamps were issued on March 22, 1985, in Shelburne, Vermont, near the Shelburne Museum, which provided ii of the decoys pictured on the stamps. The stamps movie different types of duck decoys – broadbill, mallard, canvasback, and redhead. According to the USPS, decoys are "true folk sculpture, and so true to life that many of them are now attacked by cats. They are no long simply an adjunct to hunting."
The 6th set in the Folk Art Serial featured Navajo Blankets. They were issued on September 4, 1986, in Window Rock, Arizona. The stamps were issued to coincide with the almanac Navajo Nation Fair there. The illustrations are based on actual Navajo blankets, three of which are housed in the Museum of the American Indian in New York City. Coating weaving has been an of import function of Navajo culture for centuries. To early tribes, each blanket was believed to possess spiritual characteristics and reflect the owner's identity.
The 7th set in the series pictured dissimilar wood-carved figures. They were issued on Oct i, 1986, at the National Gallery of Art to kick off National Stamp Collecting Month. From the Colonial Era through the 19th century, wood-carved figurines were even more widely used than today's billboards. Few merchants felt competitive without a three-dimensional representative of their products or services.
The eighth ready in the serial honors lacemaking. The stamps were issued on Baronial fourteen, 1987, in Ypsilanti, Michigan as part of a local lace makers convention. The stamps moving picture dissimilar lace patterns created by lace makers in Michigan. The USPS spent several months exploring different printing techniques to notice one that could all-time capture the fine detail of the lace patterns.
The 9th set in the Folk Art Serial featured carousel animals. The stamps were issued on October i, 1988, to marker the start of National Stamp Collecting Month. The first solar day anniversary was held at Cedar Point Amusement Park in Sandusky, Ohio, which was home to four manus-carved carousels, including i of the horses pictured on these stamps.
The tenth set in the series featured Indian headdresses. The stamps were issued on August 17, 1990, in Cody, Wyoming at the Buffalo Bill Historical Center. The headdress set was the starting time in the Folk Art Series to include 5 stamps and was as well the first in the series to be issued in booklet class. The headdresses were prized personal possessions, more often than not created by the warrior himself, and were normally cached with their owner at decease.
The final issue in the serial featured a familiar topic – carousel horses. The stamps were issued on July 21, 1995, in Lahaska, Pennsylvania. At the suggestion of creative person Paul Calle, the first mean solar day anniversary was held at the Carousel Globe Museum. The first set up of carousel animal stamps had been then popular, the USPS was excited to issue a 2d set, which featured four different horses.
Click here to get all the American Folk Art stamps in one convenient ready.
Source: https://www.mysticstamp.com/Products/United-States/2235-38/USA/